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Inglourious Basterds
Brad Pitt, Diane Kruger, Til Schweiger, Eli Roth, Michael Fassbender, Mike Myers, Cloris Leachman, and Samuel L. Jackson
Directed by Quentin Tarantino

In the first year of the German occupation of France, Shosanna Dreyfus witnesses the execution of her family at the hand of Nazi Colonel Hans Landa. Shosanna narrowly escapes and flees to Paris where she forges a new identity as the owner and operator of a cinema. Elsewhere in Europe, lieutenant Aldo Raine organizes a group of Jewish American soldiers to perform swift, shocking acts of retribution. Later known to their enemy as "the basterds," Raine's squad joins German actress and undercover agent Bridget von Hammersmark on a mission to take down the leaders of the Third Reich. Fates converge under a cinema marquis, where Shosanna is poised to carry out a revenge plan of her own.

Rated R for for strong graphic violence, language and brief sexuality.

It's just possible that Tarantino, having played a trick on history, is also fooling his fans. They think they're in for a Hollywood-style war movie starring Brad Pitt. What they're really getting is the cagiest, craziest, grandest European film of the year.-Time

It's not enough to say that Inglourious Basterds is Quentin Tarantino's best movie. It's the first movie of his artistic maturity, the film his talent has been promising for more than 15 years.--San Francisco Chronicle

May be the most fun you'll have at the movies this summer.--New York Post

A violent fairy tale, an increasingly entertaining fantasia in which the history of World War II is wildly reimagined so that the cinema can play the decisive role in destroying the Third Reich.--Variety

(500) Days of Summer
Zooey Deschanel, Joseph Gordon-Levitt, Clark Gregg, Minka Kelly, Rachel Boston, Matthew Gray Gublert, and Chloe Moretz

Joseph Gordon-Levitt and Zooey Deschanel star in director Mark Weber's wry, non-linear romantic comedy about a man who falls head over heels for a woman who doesn't believe in love. Mark (Gordon Levitt) is an aspiring architect who currently earns his living as a greeting card writer. Upon encountering his boss' beautiful new secretary Summer (Deschanel), Mark discovers that the pair have plenty in common despite the fact that she's seemingly out of his league; for starters, they both love The Smiths, and they're both fans of surrealist artist Magritte. Before long Mark is smitten. All he can think about is Summer. Mark believes deeply in the concept of soul mates, and he's finally found his. Unfortunately for Mark, Summer sees true love as the stuff of fairy tales, and isn't looking for romance. Undaunted and undeterred by his breezy lover's casual stance on relationships, Mark summons all of his might and courage to pursue Summer and convince her that their love is real.

Rated PG13 for sexual material and language.

You're going to hear a lot about 500 Days of Summer over the next few months. All of the good stuff is true. Any bad stuff you hear is not.--Film Threat

Here is a rare movie that begins by telling us how it will end and is about how the hero has no idea why.--Roger Ebert, Chicago Sun Times

Much like the actual summer (the season, not the character), we never wanted it to end.--Premiere

Visually witty, flawlessly played romantic comedy.--Chicago Reader

Something seldom seen: an original romantic comedy.--Los Angeles Times

Julie & Julia
Meryl Streep, Amy Adams, Stanley Tucci, Chris Messina, Linda Emond, Mary Lynn Rajskub, Jane Lynch, Frances Sternhagen

Meryl Streep is Julia Child and Amy Adams is Julie Powell in writer-director Nora Ephron's adaptation of two bestselling memoirs: Powell's “Julie & Julia: 365 Days, 524 Recipes, 1 Tiny Apartment Kitchen,” and “My Life in France,” by Julia Child with Alex Prud'homme. Based on two true stories, Julie & Julia intertwines the lives of two women who, though separated by time and space, are both at loose ends... until they discover that with the right combination of passion, fearlessness and butter, anything is possible.

Rated PG13 for brief strong language and some sensuality.

One of the gentlest, most charming American movies of the past decade. Its subject is less food as something to cook than food as the binding and unifying element of dinner parties, friendship, and marriage.--The New Yorker

Spiced with plenty of humor and affection.--USA Today

The result is a movie that, in its best moments, is delightful.--New Orleans Times

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